We’re delighted to share the draft programme for the second MONC conference, Word and Image, to be held in Aberystwyth this September.
Cliciwch yma am raglen Cymraeg. Click here to download a copy in English.
Many thanks to Nathan Munday (Cardiff University) for providing the Welsh translation.
We will announce more details regarding the roundtable on the first day in the coming weeks. Join our mailing list or follow us on twitter for the latest updates.
Registration is now open; full details can be found here.
The conference is kindly supported by the Learned Society of Wales and Aberystwyth School of Art.
On 17 June, MOMA Machynlleth will host a one-day conference and concert to coincide with the end of the Roger Cecil exhibition, on the subject of landscape abstraction in art, music and literature.
Nottingham Trent University
3 April 2017
Professor Gregory Woods (Nottingham Trent University)
‘Somewhat like Ariel / Somewhat like Puck / Somewhat like a gutter boy / Who loves to play in muck’ – Richard Bruce Nugent
Queer Modernism(s) is an interdisciplinary conference that aims to explore the place of queer identity in modernist art, literature and culture. How do modernist artists frame queerness within their work? How did writers reveal and conceal their sexuality? And, in ‘making it new’, how did modernism develop new modes of exploring gender and sexuality?
University of Birmingham
June 29-July 1, 2017
Claire Colebrook (Penn State University)
Janet Wolff (University of Manchester)
“Only to the person who is prepared to lose her life in its known form will life appear in its new guises of ever-greater beauty and perfection. But in order to achieve such a position, silence must be reached in both thinking and feeling. This is losing life, for life is, first and foremost, pervaded by human thoughts and feelings in a universal and common form.”
—Hilma af Klint
Modernist Life is an international, interdisciplinary conference that aims to explore the range, depth and prolongation of modernisms from the nineteenth century into the present moment and the future. It takes as its starting point the fundamental tension between art and life, central to modernism, but also the lifespan of modernism itself – beginnings, endings, or alternatively modernism’s longue durée. The conference invites discussion of the ways in which modernisms negotiate the concept of life, afterlife and still life, or death; it is interested in the cultivation of life (the ecological) and the extension or replacement of life (the technological); and it seeks to debate the ways in which modernism’s lives are preserved or reconstructed, through biography, editing, citation, education, cultural institutions and the new technologies of the archive.
WORD AND IMAGE
The Second Modernist Network Cymru Conference
The Drwm, National Library of Wales, Aberystwyth &
The School of Art, Aberystwyth University
12 – 13 September 2017
Professor Tony Brown (Bangor University)
Cliciwch yma am fersiwn Cymraeg
UPDATE 01/02/2017: The deadline for proposals for the Second MONC Conference has been extended until Friday, 24 February. Many thanks to all those who have submitted proposals so far.
Call For Papers
Few texts have combined word and image in a more striking or influential manner than Alfred Barr’s timeline of modern art. The chart first appeared on the front cover of the 1936 exhibition catalogue Cubism and Abstract Art at the Museum of Modern Art, New York; through Barr’s direction, MOMA helped to establish the narrative for artistic modernism in the 1930s. This picture has since become one of the most widely-reproduced images of modern art in the western world, one which continues to shape our understanding of modernist art history today.
For its second conference, organised in conjunction with Aberystwyth University’s David Jones Centre for Word and Image, the National Library of Wales and the Aberystwyth School of Art, Modernist Network Cymru (MONC) aims to interrogate the symbiotic relationship between the visual arts and the written word, as encapsulated in Barr’s iconic image. How did modernist artists respond to literary texts? How did writers incorporate visual elements in poetry and prose? How did author and artist collaborations arise? And how did modernist texts, from collages to magazines to scrapbooks, combine word and image in radical new ways?
The sixth one-day Graduate Conference on New Work in Modernist Studies will take place at Queen Mary University of London (Francis Bancroft Building), in conjunction with Modernist Network Cymru (MONC), the London Modernism Seminar, the Scottish Network of Modernist Studies, the Northern Modernism Seminar, and the British Association for Modernist Studies (BAMS).
As in previous years, this conference will take the form of an interdisciplinary programme reflecting the full diversity of current graduate work in modernist studies; it encourages contributions both from those already involved in the existing networks and from students new to modernist students who are eager to share their work. The day will close with a plenary lecture by Sascha Bru who is an Associate Professor in the department of Literary Theory and Cultural Studies, at KU Leuven and co-director of MDRN http://mdrn.be/node/1
The British Association for Modernist Studies invites submissions for its annual essay prize for early career scholars. The winning essay will be published in Modernist Cultures, and the winner will also receive £250 of books.
The BAMS Essay Prize is open to any member of the British Association for Modernist Studies who is studying for a doctoral degree, or is within five years of receiving their doctoral award. You can join BAMS by following the link on our membership pages: https://bams.ac.uk/membership
Essays are to be 7-9,000 words, inclusive of footnotes and references.
The closing date for entries is 31 October 2016. The winner will be announced by 31 January 2017.