CFP: Queer Modernism(s)

Nottingham Trent University

3 April 2017

Keynote speaker:

Professor Gregory Woods (Nottingham Trent University)

 

‘Somewhat like Ariel / Somewhat like Puck / Somewhat like a gutter boy / Who loves to play in muck’ – Richard Bruce Nugent

Queer Modernism(s) is an interdisciplinary conference that aims to explore the place of queer identity in modernist art, literature and culture. How do modernist artists frame queerness within their work? How did writers reveal and conceal their sexuality? And, in ‘making it new’, how did modernism develop new modes of exploring gender and sexuality?

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CFP: Modernisms and Modernities East, West and South: Comparing Literary and Cultural Experiences

Fudan University, Shanghai, 19 – 22 July 2017

Convened by Fudan University (China), Universität Hamburg (Germany), Macquarie University (Australia)

Modernism has often been critiqued for being homogenising and Eurocentric. Yet, modernity was experienced differently by different societies and cultures, each pursuing their own specific historical trajectory. Across the world in societies as different as China, Australia, the US and Europe, modernist literature and art were, in very different ways, crucial mediators of modernity. This conference will survey diverse experiences of modernity and the place of modernist art and aesthetics in those experiences. Implicit in this discussion is the question of what survives of modernist practices and modernity as a project beyond the known debates around modernism and postmodernism towards a new relevance in the era of globalisation and climate change.

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CFP: Women and the Arts in Historical Perspective

The West of England and South Wales Women’s History Network 23rd Annual Conference

Women and the Arts in Historical Perspective

Saturday 18 June 2016

Keynote Lecture:

Rebecca D’Monte, University of the West of England, Bristol

‘War Stories: Female Literary Responses to the Two World Wars’

Papers are invited on any aspect of women’s involvement in the ‘Arts’ and/or on the gendered issues that arise from this. For this conference the ‘Arts’ are broadly defined to include, for example: painting, design, sculpture, theatre, poetry and creative writing.

Papers might include women’s role as directors, collectors and financial supporters as well as their activities as performers and authors.

Proposals are welcome on any historical period and country.

Proposals of not more than 500 words should be sent to June.Hannam@uwe.ac.uk by Monday 21st March 2016.

For further information about the conference contact Katherine.Holden@uwe.ac.uk or June.Hannam@uwe.ac.uk, or visit the conference website https://weswwhnconf16.wordpress.com/

A PDF copy of the call for papers is available here.