CFP: Literary Networks and Cultural Collaborations: From 19th Century to the Present Day

Birkbeck, University of London, Saturday 29th October 2016

Confirmed keynote speaker: Dr. Joanne Winning

Pierre Bourdieu’s work on an ‘expanded field of cultural production’ has done much to widen our understanding of the full range of cultural practitioners who ‘make’ a text, including publishers, patrons, reviewers, salonnieres as well as the writers themselves. The shift away from focusing on the work of the singular artist to a more collaborative understanding of cultural production has  also served a recuperative, often feminist agenda that has helped to bring the works of obscure or “lost” cultural practitioners to light. For example, Gillian Hanscombe and Virginia L. Smyers in Writing for Their Lives (1987) explore the ‘hidden network’ of women who formed an alternative cultural alliance to the well-documented Bloomsbury Group in the first half of the twentieth century.

Continue reading “CFP: Literary Networks and Cultural Collaborations: From 19th Century to the Present Day”

CFP Deadline Extended: Protean Desires Symposium

Protean Desires: Queering the Body, Transforming the Text
April 22nd 2016
Singleton Abbey, University of Swansea

CFP DEADLINE EXTENDED TO FRIDAY 18 MARCH

Keynote Speaker: Professor Stephen Guy-Bray (University of British Columbia) ‘The Location of Queerness’

We are inviting proposals for 20-minute papers exploring Gender Fluidity and Queer Theory across disciplines and historical periods. We welcome proposals from postgraduate and early career researchers as well as established scholars. Papers on the theme of fluidity of identity – within textual self-performance, or in the transmission of ideas between periods and disciplines, for example – will be especially welcome. But we encourage submissions on any topic, which may include the following:

  • The Relationship between Bodies and Texts
  • Queer Theoretical Approaches to the Body
  • The Articulation of Desire, both Historicised and De-Historicised
  • Transgender and Intersex Identity
  • Queerness and the Transmission & Consumption of Texts
  • Gender Identity & Modernity/Postmodernity

Please send abstracts of no more than 300 words to Jack Orchard (837501@swansea.ac.uk) and Maria Zygogianni (gencas.conferences@gmail.com) by 18th March 2016.

protean desires

CFP: Spaces of Desire; Remembrance and Civic Power

This two day symposium hosted by the School of Geography & Planning, and Welsh School of Architecture (Cardiff University) will explore the value of theory in transforming our understanding of space and its formulation and contestation through desire (as conceptualised in the following call for papers).  This event will take place on the 30th June and 1st July 2016 and is open to innovative engagements with its core concepts through both academic and artistic interventions.

Call for papers:  Spaces of Desire; Remembrance and Civic Power

Continue reading “CFP: Spaces of Desire; Remembrance and Civic Power”

CFP: Women and the Arts in Historical Perspective

The West of England and South Wales Women’s History Network 23rd Annual Conference

Women and the Arts in Historical Perspective

Saturday 18 June 2016

Keynote Lecture:

Rebecca D’Monte, University of the West of England, Bristol

‘War Stories: Female Literary Responses to the Two World Wars’

Papers are invited on any aspect of women’s involvement in the ‘Arts’ and/or on the gendered issues that arise from this. For this conference the ‘Arts’ are broadly defined to include, for example: painting, design, sculpture, theatre, poetry and creative writing.

Papers might include women’s role as directors, collectors and financial supporters as well as their activities as performers and authors.

Proposals are welcome on any historical period and country.

Proposals of not more than 500 words should be sent to June.Hannam@uwe.ac.uk by Monday 21st March 2016.

For further information about the conference contact Katherine.Holden@uwe.ac.uk or June.Hannam@uwe.ac.uk, or visit the conference website https://weswwhnconf16.wordpress.com/

A PDF copy of the call for papers is available here.

CFP New Work in Modernist Studies

CALL FOR PAPERS
New Work in Modernist Studies
Saturday 5 December 2015, 10am-5.30pm,
University of Exeter, Streatham Campus, Queen’s Building

new work image

The fifth one-day Graduate Conference on New Work in Modernist Studies will take place at the University of Exeter (Streatham campus), in conjunction with Modernist Network Cymru (MONC), the London Modernism Seminar, the Scottish Network of Modernist Studies, the Northern Modernism Seminar, and the British Association for Modernist Studies (BAMS).

As in previous years, this conference will take the form of an interdisciplinary programme reflecting the full diversity of current graduate work in modernist studies; it encourages contributions both from those already involved in the existing networks and from students new to modernist students who are eager to share their work. The day will close with a plenary lecture by Professor Simon Shaw-Miller, Chair in the History of Art, University of Bristol, and author of Eye hEar: The Visual in Music (Ashgate 2013), Visible Deeds in Music: Art and Music from Wagner to Cage (Yale, 2002, second ed. 2004) and numerous essays and articles on art and music in the modern period, including ‘Modernist Music’ in the Oxford Handbook of Modernisms (Oxford, 2010).

Continue reading “CFP New Work in Modernist Studies”

CFP David Jones: Dialogues with the Past

David Jones: Dialogues with the Past

An International, Interdisciplinary Conference at the University of York

21-23 July, 2016

 

Call for Papers

In ‘Past and Present’ (1953), David Jones claimed:  ‘The entire past is at the poet’s disposal’. The interweaving of this ‘entire past’ with the present moment fundamentally characterises Jones’s art and thought, from his visual reimagining of historical figures, to the etymologically rich allusions of his poetry, to the unusual philosophy of history manifested in his essays and letters. The analysis of Jones’s visual or poetic works often reflects the act of excavation: the unique layering of images, words and ideas, the resonant symbolism and shades of meaning. the blending of cultural traditions and dynamic interweaving of whole civilisations.

As 2016 marks the centenary of the Battle of the Somme which profoundly shaped Jones’s imagination and thought, it provides an ideal moment to reconsider the entirety of Jones’s engagement with the many, various, elusive and intertwined ‘pasts’ through which he conceived history and culture. It will be an opportunity to explore Jones’s own style, subject matter, allusive practice and intellectual questions including the role of ‘memory’, ‘inheritance’ and ‘history’ in art and life, while also reflecting upon Jones’s own past and contemporary moment.

Continue reading “CFP David Jones: Dialogues with the Past”

CFP Wales and the World: Re-Framing the Literature of Wales in an International Context

Wales and the World:
Re-Framing the Literature of Wales in an International Context

The Twenty-Eighth Annual Conference of the Association for Welsh Writing in English
Friday 1st April – Sunday 3rd April 2016
Gregynog Hall, Newtown

Call for Papers
Wales has a distinctive national culture. The 2011 Census, however, indicated that the Welsh, like other British nationals, were becoming more culturally diverse. This is not surprising: the effects of the World imposing itself on Wales – industrialisation in the nineteenth century, for example – are continuous and impact profoundly on its literature.

Simultaneously, the Welsh have reached outwards beyond the confines of their homeland: as explorers and travellers, in Africa and South America for instance. Wales, too, ‘sells’ itself through ‘exported’ literature and the arts: the Dylan Thomas centenary celebrations in 2015 provided a timely reminder of a national literature that is inter-national, not only within the U.K. but further afield in Europe and across the globe.

Continue reading “CFP Wales and the World: Re-Framing the Literature of Wales in an International Context”

CFP International Conference on Welsh Studies 2016

North American Association for the Study of Welsh Culture and History (NAASWCH)
International Conference on Welsh Studies

Harvard University
20-22 July 2016

The NAASWCH Program Committee seeks diverse perspectives on all aspects of Wales and Welsh culture – as well as proposals focused on the Welsh in North America – from many disciplines, including history, literature, languages, art, social sciences, political science, philosophy, music, and religion. NAASWCH invites participation from academics, postgraduate/graduate students and independent scholars from North America, the United Kingdom, and elsewhere.

Continue reading “CFP International Conference on Welsh Studies 2016”

Draft conference programme: A Century On: Modernist Studies in Wales

We are pleased to be able to announce the draft conference programme for our inaugural conference, ‘A Century On: Modernist Studies in Wales’. Please follow the link for a PDF copy of the Programme.

From 9.00am    Registration – James Callaghan Building, Lower Ground Foyer

9.25-9.40          Welcome – James Callaghan Lecture Theatre

9.45-11.15         Parallel Sessions – Keir Hardie Building

Panel 1: Modernism and war (KH130) Chair: Matthew Jarvis

Rhian Atkin (Cardiff University), ‘Tensions and tenses of Portuguese Futurism’

Connor Doak (University of Bristol), ‘The Ethics of Modernist War Poetry: Revisiting Mayakovsky’s War and the World 100 Years On’

Luke Thurston (Aberystwyth University) ‘“Thought’s Broken Bones”: David Jones and Alun Lewis’

Panel 2: National and transnational modernisms (KH303) Chair: Daniel Williams

Rachel Farebrother (Swansea University), ‘”The Congo is flooding the Acropolis”: Art and the Intercultural in the Harlem Renaissance’

Daniel Hughes (Bangor University), ‘The Dark Matter of National Identity: Theorising Welsh/British Modernism & Experimental Writing’

Liza Penn-Thomas (Swansea University), ‘Taking Tea with Yeats – Verse drama as modernist or national drama’

11.15-11.45       Coffee – James Callaghan Building, Lower Ground Foyer

11.45-1.15        Parallel Sessions – Keir Hardie Building

Panel 3: Modernism, gender and sexuality (KH130) Chair: Diana Wallace

Claire Flay-Petty (Cardiff Metropolitan University), ‘“Far-off distant things”: Reading Dorothy Edwards in the Female Modernist Tradition’

Michelle Deininger (Cardiff Metropolitan University), ‘”A Certain Unrestraint”: Narrative Strategies and Coded Desire in Kathleen Freeman’s short fiction’

Leonie Shanks (Birkbeck College), ‘Beyond The Tangled Web: Dorothy Richardson, Bryher and the Borderlands of Modernism’

Panel 4: Modernist inheritances (KH303) Chair: John Goodby

Lucy Jeffery (Swansea University), “‘Watt” About Beckett’s Artistic Legacy?’

Charles Mundye (Sheffield Hallam University), ‘Lynette Roberts’s The Endeavour: a generic adventure’

Richard Robinson (Swansea University), ‘Quoting Modernism in the Early Short Stories of John McGahern: Joyce and Yeats’

1.15-2.00         Lunch – James Callaghan Building, Lower Ground Foyer

2.00-3.15         Keynote Lecture – James Callaghan Lecture Theatre

Professor Angharad Price (Bangor University), ‘Germany: Cradle of Welsh Modernism?’

3.15-3.45         Coffee –  James Callaghan Building, Lower Ground Foyer

3.45 – 5.15      Parallel Sessions – Keir Hardie Building

Panel 5: Space, place and land (KH130) Chair: Emma West

Siriol McAvoy (Cardiff University), ‘The materiality of language and the transformation of tradition in the writing of Lynette Roberts’

Anne Price-Owen (UWTSD), ‘Painting becoming Poetry becoming Music’

Xiaofan Xu (University of Nottingham), ‘“United in the Spiritual Flesh of Nature”: T.S. Eliot and British Surrealism in the 1930s’

Panel 6: Late and contemporary responses (KH303) Chair: Luke Thurston

Neal Alexander (Aberystwyth University), ‘Late modernism and the poetics of place’

Elizabeth Benjamin, ‘Dada t’es plus dans l’coup? Memorialising modernism in the age of the avant-garde centenary’

Michael Nath (University of Westminster), ‘Creative Writing, Modernism and the Life-World’

5.15                Wine reception – James Callaghan Building, Lower Ground Foyer

This conference is kindly supported by the Learned Society of Wales, the Research Institute for Arts and Humanities, Swansea University, and the British Association for Modernist Studies (BAMS).

Those wishing to purchase tickets can do so by visiting our registration page.

bams_header

learned-soc-of-wales-logo-300-q90riah-title-low-res-300-q90

CFP Deadline Extended: A Century On: Modernist Studies in Wales

Many thanks to all of those who have already submitted abstracts for the inaugural MONC conference. Upon request, we have extended the CFP deadline to 30 June. We are especially keen to receive proposals relating to the visual arts and to women artists and writers. Please follow the links to download a copy of the revised CFP in ENGLISH and in WELSH.

 

A Century On: Modernist Studies in Wales

The Inaugural Modernist Network Cymru Conference

Swansea University, Monday 7 September 2015
 Keynote speaker: Professor Angharad Price (Bangor University)

The 2010s have been a busy decade for modernist scholars. In 2010, the inaugural BAMS conference considered Virginia Woolf’s (in)famous assertion that ‘On or about December 1910, human character changed’; in 2013, BBC Radio 3 ran a series of programmes celebrating Paris’ annus mirabilis, exemplified by the 1913 premiere of Stravinsky’s Rite of Spring; and in 2014 we celebrated Dylan Thomas’ birth in a year-long series of events.

Now, in 2015, as we mark 100 years since Caradoc Evans’ landmark short story collection, My People, it seems a good time to stop and take stock of the past, present and future of both modernism and modernist studies as a discipline.

This inaugural conference, to be held at Swansea University, invites scholars from Wales and beyond to reflect upon modernism and its legacies. As the first Modernist Network Cymru (MONC) event, it aims to showcase the range and diversity of research into modernism happening in Wales today. MONC brings together scholars and professionals working on modernism in Wales to encourage collaboration and communication; as such, we welcome interdisciplinary proposals on any aspect of modernism, as defined in the widest sense. We particularly welcome scholars working on Welsh modernist writers and artists, as well as modernist art and writing in Wales.

Possible topics could include but are not limited to:

  • Networks of modernist activity
  • Local modernisms
  • Welsh modernism
  • Geographies or topographies of modernism
  • Modernism and identity
  • Modernism and periodization
  • Chronologies and genealogies of modernism
  • Contemporary modernisms and neomodernisms
  • Centenaries and memorialisation
  • Definitions and theories of modernism
  • Modernist studies and interdisciplinarity
  • The future of modernist studies
  • Individual modernist theorists and practitioners in Wales and beyond

The event will also be an opportunity for participants to collaborate with us on setting the agenda and scope for future MONC activity and events.

Proposals for papers (20 minutes) should include a summary of the proposed paper (300 words), the speaker’s contact details, and a short bio (100 words).

Proposals should be sent to modernistnetworkcymru@gmail.com by 30 June 2015.
For more information and enquiries, please visit modernistnetworkcymru.org.

Conference organising team:

Elaine Cabuts (Aberystwyth University)

Elizabeth English (Cardiff Metropolitan University)

John Goodby (Swansea University)

Diana Wallace (University of South Wales)

Emma West (Cardiff University)

This conference is kindly supported by the Learned Society of Wales and the Research Institute for Arts and Humanities, Swansea University.

MONC Logoriah-title-low-res-300-q90learned-soc-of-wales-logo-300-q90