THE FUTURE OF ART HISTORY IN WALES
A free roundtable discussion
The Drwm, National Library of Wales
12 September 2017, 5-6.30pm
Followed by a wine reception at Aberystwyth School of Art
Cliciwch yma am raglen Cymraeg.
In 2016, the successful campaign to stop A-level Art History being dropped demonstrated the enthusiasm for art history among students, artists and educators across the UK. Yet the future of art history in all its forms – whether in schools, universities, libraries, galleries, arts centres or community groups – remains uncertain.
If, as the artist Jeremy Deller has argued, ‘Art history is the study of power, politics, identity and humanity’, the study and appreciation of art is more vital than ever in the tumultuous 21st century. In Wales, art history is inextricably linked with the political: the lack of critical attention has led to Welsh artists being marginalised or excluded from the canon altogether. How can art history in Wales work to recover movements, groups, individuals or works that have been lost? How can it consider, contextualise and celebrate Wales’s rich and diverse art history, bringing it to new audiences? What are the shared experiences with other humanities subjects (such as literary studies), and what can these disciplines learn from each other?
Join us for a free roundtable discussion with leading artists, curators and historians to discuss the future of Welsh art history/art history in Wales.
The Welsh Group
10 June – 29 July 2017
Llantarnam Grange Arts Centre, Cwmbran
To mark the opening of a new exhibition of the Welsh Group, Hywel Pontin of the Llantarnam Grange Arts Centre has written a brief introduction to the exhibition and the Group more broadly.
On 17 June, MOMA Machynlleth will host a one-day conference and concert to coincide with the end of the Roger Cecil exhibition, on the subject of landscape abstraction in art, music and literature.
The Centre for Gender Studies in Wales
invites you to:
THE URSULA MASSON MEMORIAL LECTURE 2017
Dr. Sian Rhiannon Williams
‘“Delicate” and “troublous” questions: women teachers, gender issues and local education politics in south Wales, 1908-1928’
Wednesday 8 March (for International Women’s Day) at 6.00-9.00pm,
Ty Crawshay, Treforest Campus, University of South Wales
The lecture will take place in the Moot Court, TC13, at 6pm to be followed by a wine reception and buffet in TC30 (the Zobole Room) and the university museum’s art gallery space, Oriel y Bont, from 7.15pm.
WORD AND IMAGE
The Second Modernist Network Cymru Conference
The Drwm, National Library of Wales, Aberystwyth &
The School of Art, Aberystwyth University
12 – 13 September 2017
Professor Tony Brown (Bangor University)
Cliciwch yma am fersiwn Cymraeg
UPDATE 01/02/2017: The deadline for proposals for the Second MONC Conference has been extended until Friday, 24 February. Many thanks to all those who have submitted proposals so far.
Call For Papers
Few texts have combined word and image in a more striking or influential manner than Alfred Barr’s timeline of modern art. The chart first appeared on the front cover of the 1936 exhibition catalogue Cubism and Abstract Art at the Museum of Modern Art, New York; through Barr’s direction, MOMA helped to establish the narrative for artistic modernism in the 1930s. This picture has since become one of the most widely-reproduced images of modern art in the western world, one which continues to shape our understanding of modernist art history today.
For its second conference, organised in conjunction with Aberystwyth University’s David Jones Centre for Word and Image, the National Library of Wales and the Aberystwyth School of Art, Modernist Network Cymru (MONC) aims to interrogate the symbiotic relationship between the visual arts and the written word, as encapsulated in Barr’s iconic image. How did modernist artists respond to literary texts? How did writers incorporate visual elements in poetry and prose? How did author and artist collaborations arise? And how did modernist texts, from collages to magazines to scrapbooks, combine word and image in radical new ways?
The sixth one-day Graduate Conference on New Work in Modernist Studies will take place at Queen Mary University of London (Francis Bancroft Building), in conjunction with Modernist Network Cymru (MONC), the London Modernism Seminar, the Scottish Network of Modernist Studies, the Northern Modernism Seminar, and the British Association for Modernist Studies (BAMS).
As in previous years, this conference will take the form of an interdisciplinary programme reflecting the full diversity of current graduate work in modernist studies; it encourages contributions both from those already involved in the existing networks and from students new to modernist students who are eager to share their work. The day will close with a plenary lecture by Sascha Bru who is an Associate Professor in the department of Literary Theory and Cultural Studies, at KU Leuven and co-director of MDRN http://mdrn.be/node/1
Commemorating World War One: Conflict and Creativity is a public engagement project funded by the Arts and Humanities Research Council to design and deliver events to commemorate the First World War centenary.
The project is co-ordinated by Cardiff University’s Centre for Interdisciplinary Research in Opera and Drama (CIRO), co-directed by Dr Clair Rowden, School of Music, and Dr Monika Hennemann, School of Modern Languages, and supported by Dr Rachelle Barlow, a Postdoctoral Research Associate in the School of Music.
Upcoming events include:
11-12 November: International Artistic Creation during WWI
Symposium in collaboration with and held at National Museum Cardiff
International scholars from the UK and Leuven, Heidelberg and Brown Universities discuss WWI in music, literature, visual cultures, history, philosophy and psychology.