Clive Hicks-Jenkins, The Green Knight’s Head Lives (2017)
Saturday 9 June 2018
Those inspired by our 2017 conference Word and Image may be interested in an upcoming study day at MOMA Machynlleth exploring how artists engage with text. The day will feature a historical contextual introduction by Olivia Ahmad (House of Illustration), as well as talks by contemporary illustrators, publishers and artists. Please see the below flyer for more details; to book please visit http://moma.machynlleth.org.uk/?page_id=810 and scroll down to the 9 June Study Day.
Temple of Peace and Health, Cardiff
19 April 2018, 11am-8pm
This Spring, the Temple of Peace and Health in Cardiff is opening its doors for a series of free events exploring its 80-year history. Designed by former RIBA President Percy Thomas and opened in 1938, this beautiful building retains many of its original furnishings.
Archive Workshop: 11am-1pm
Lunchtime Tour: 1-2pm
Explore Your Civic Centre 2-4pm
After Hours Tour: 6-8pm
We are pleased to publish the programme for the seventh annual postgraduate conference in New Work in Modernist Studies, Friday 15th December 2017, hosted at the School of English, University of Leeds.
The conference is organised collaboratively between the University of Leeds and Leeds Trinity University and in conjunction with the Modernist Network Cymru (MONC), the London Modernism Seminar, the Scottish Network of Modernist Studies, the Northern Modernism Seminar, the Midlands Modernist Network and the British Association for Modernist Studies (BAMS).
THE FUTURE OF ART HISTORY IN WALES
A free roundtable discussion
The Drwm, National Library of Wales
12 September 2017, 5-6.30pm
Followed by a wine reception at Aberystwyth School of Art
Cliciwch yma am raglen Cymraeg.
In 2016, the successful campaign to stop A-level Art History being dropped demonstrated the enthusiasm for art history among students, artists and educators across the UK. Yet the future of art history in all its forms – whether in schools, universities, libraries, galleries, arts centres or community groups – remains uncertain.
If, as the artist Jeremy Deller has argued, ‘Art history is the study of power, politics, identity and humanity’, the study and appreciation of art is more vital than ever in the tumultuous 21st century. In Wales, art history is inextricably linked with the political: the lack of critical attention has led to Welsh artists being marginalised or excluded from the canon altogether. How can art history in Wales work to recover movements, groups, individuals or works that have been lost? How can it consider, contextualise and celebrate Wales’s rich and diverse art history, bringing it to new audiences? What are the shared experiences with other humanities subjects (such as literary studies), and what can these disciplines learn from each other?
Join us for a free roundtable discussion with leading artists, curators and historians to discuss the future of Welsh art history/art history in Wales.
On 17 June, MOMA Machynlleth will host a one-day conference and concert to coincide with the end of the Roger Cecil exhibition, on the subject of landscape abstraction in art, music and literature.
The Centre for Gender Studies in Wales
invites you to:
THE URSULA MASSON MEMORIAL LECTURE 2017
Dr. Sian Rhiannon Williams
‘“Delicate” and “troublous” questions: women teachers, gender issues and local education politics in south Wales, 1908-1928’
Wednesday 8 March (for International Women’s Day) at 6.00-9.00pm,
Ty Crawshay, Treforest Campus, University of South Wales
The lecture will take place in the Moot Court, TC13, at 6pm to be followed by a wine reception and buffet in TC30 (the Zobole Room) and the university museum’s art gallery space, Oriel y Bont, from 7.15pm.
WORD AND IMAGE
The Second Modernist Network Cymru Conference
The Drwm, National Library of Wales, Aberystwyth &
The School of Art, Aberystwyth University
12 – 13 September 2017
Professor Tony Brown (Bangor University)
Cliciwch yma am fersiwn Cymraeg
UPDATE 01/02/2017: The deadline for proposals for the Second MONC Conference has been extended until Friday, 24 February. Many thanks to all those who have submitted proposals so far.
Call For Papers
Few texts have combined word and image in a more striking or influential manner than Alfred Barr’s timeline of modern art. The chart first appeared on the front cover of the 1936 exhibition catalogue Cubism and Abstract Art at the Museum of Modern Art, New York; through Barr’s direction, MOMA helped to establish the narrative for artistic modernism in the 1930s. This picture has since become one of the most widely-reproduced images of modern art in the western world, one which continues to shape our understanding of modernist art history today.
For its second conference, organised in conjunction with Aberystwyth University’s David Jones Centre for Word and Image, the National Library of Wales and the Aberystwyth School of Art, Modernist Network Cymru (MONC) aims to interrogate the symbiotic relationship between the visual arts and the written word, as encapsulated in Barr’s iconic image. How did modernist artists respond to literary texts? How did writers incorporate visual elements in poetry and prose? How did author and artist collaborations arise? And how did modernist texts, from collages to magazines to scrapbooks, combine word and image in radical new ways?